Category: Reviews

I started writing book reviews around the time that Why We Read What We Read was published, mostly as a way to keep up on the latest bestsellers. Most of the reviews below appeared on the Why We Read blog. Then THIS web site ate the blog, and now the reviews live here. So if you feel like pretending to care what I think about books, this is totally the place to be!

(I know I haven’t written any for a while. But shit people, give me a break! We’re all busy!)

Posts

Holidays on Ice

LisaNovember 25, 2011January 22, 2014

Holidays on Ice by David Sedaris

Holidays on Ice has become one of my favorite holiday traditions. I have an uncanny ability to unintentionally pick up books about war and torture, which is problematic enough during the rest of the year, but around the holidays I’m just not in the mood. Nor, however, do I want to read sappy crap about puppies that save people’s marriages or other lame-ass Christmas miracles. Holidays on Ice always fits the bill.

It’s a collection of David Sedaris’s holiday-themed short stories, many (all?) of which are plucked from his other books. Anyone who’s ever barfed over a Christmas letter will delight in the parody “Season’s Greetings to Our Friends and Family!!!” And anyone who’s suffered through an elementary school production of any kind will find a kindred spirit in “Front Row Center with Thaddeus Bristol.” But my favorite story of all is “SantaLand Diaries,” Sedaris’s hilarious reflections on the winter he spent working as a mall elf.

So, while I will always encourage you to buy one of my books to give to everyone on your list, you really can’t go wrong with this one either. Whatever you read, boycott torture for the season. Happy holidays!

Jitterbug Perfume

LisaMarch 31, 2011January 22, 2014

Jitterbug Perfume by Tom Robbins

Like a lot of nerdy and ungainly girls, I went through a Tom Robbins phase in high school. His playful love of women appealed to us earnest and hopeful types.

Then I got sick of his writing style and abandoned him completely for 20 years.

So when my book club picked Jitterbug Perfume for its next selection, I was looking forward to revisiting my old friend—though I was slightly worried that the pages might engulf me back into some tedious adolescent throes.

I needn’t have worried. I found Tom Robbins to be as enjoyable as ever, and nothing about his work compelled me to gnash my teeth and write bad poetry.

Story: Ancient Bohemian king Alobar escapes certain cultish death and sets off on a mission to extend his life indefinitely, accompanied by suttee escapee and love interest Kudra. Also, modern-day perfumers battle it out to recreate a mesmerizing scent that will earn them eternal fragrance fame.

Themes: Perfume, immortality, and beets. Yep, you read that right.

Writing: This book’s themes are compelling, but people really read Robbins for his writing. And it is good—very good—intricate and witty like few other authors out there. His sense of humor, in fact, is the closest to my husband’s I’ve ever encountered on this earth—though (rather like my husband’s punny episodes) it is relentless, best in smaller doses. By the end of Jitterbug Perfume I definitely needed a break.

Best thing about it: Alobar’s journey is captivating from the first pages.

Worst thing about it: The modern-day characters are never fully developed. They feel more like distractions from the main plot.

Half of a Yellow Sun (Nigeria)

LisaJanuary 2, 2011January 22, 2014

Half of a Yellow Sun by Chimamanda Ngozi Adichie

Story: In the 1960s, the southeastern provinces of Nigeria attempted to secede and form an independent nation called Biafra. Adichie tells the story of this civil war through the experiences of five characters: a professor who passionately supports the revolution; a teenage houseboy from a rural village; a British transplant who’s fallen in love with Nigeria; and upper-class twin sisters with a stormy relationship.

Writing: Literary but totally accessible. The story is told in third person and switches back and forth between the various characters’ perspectives. The structure is clever—the book starts in the early 1960s, moves to the late 1960s, and then switches back to the early 1960s before finishing with the late 1960s—enabling Adichie to drive readers into a frenzy of curiosity when she hints at “missing” events throughout the middle of the book.

Best thing about it: Half of a Yellow Sun has a great balance of character and plot. Adichie brings the true events of the revolution to life through well-drawn, likable characters. And the creative structure really keeps you guessing.

Worst thing about it: I got nothing. It’s a good read and a beautiful tribute to Adichie’s own family members who lived through the conflict.

Born Standing Up

LisaOctober 28, 2010January 22, 2014

Born Standing Up by Steve Martin
Narrated by Steve Martin

I know this is probably incredible for a person who, like, reads all the time and writes stupid book reviews, but I think this was the first biography I’ve ever read! I just…don’t really care about the lives of famous people. So there it is. But this one was relatively interesting and very short. If you’re looking for a good starter biography, you might want to check this one out.

Story: Steve Martin reflects on his years (and years and years) trying to make it as a stand-up comedian. Martin details all the hard work, all the failures, all the practice, all the mean reviews—and then all the humongous success. This isn’t the story of Martin’s whole life, just his childhood and his years doing stand-up. His life in the 80s and beyond remains a mystery.

Writing: I know what you’re thinking—this book is going to be hilarious! Well, you’d be wrong. This isn’t a book of comedy; it’s a book about comedy, and the life of a person who’s famous for it. Martin is certainly a competent writer and a smart dude, but if you’re looking for knee-slappers, this is not the book for you.

Themes: Damn, it’s hard trying to make it as an artist. And when you actually do, it’s overrated.

Best thing about it: It’s always good to remember that even the most famous among us had to work their tails off for decades to get where they are. And it’s good to remember that success is a mixed bag.

I really enjoyed hearing about Martin’s adventures in California, since I know the places. And, as weird as this sounds, I was able to confirm that my husband’s pronunciation of Knotts Berry Farm is probably right, since Martin says it the same way.

Worst thing about it: Because the book is driven by an actual life, it can lack shape; there are times it feels like just a list of places and people. And, well, it would have been better if it were funny.

Audiobook insights: Definitely get the audiobook. It’s cool to hear a book narrated by a voice you know and a person you can picture. And it takes the edge off some of the boring parts.

Final thoughts: This has nothing to do with my book review, but my husband thinks he performed the same night as pre-fame Martin at a Pasadena comedy club back in the 70s. Pretty cool, no?

The Grapes of Wrath

LisaSeptember 16, 2010January 22, 2014

The Grapes of Wrath by John Steinbeck

I’m going to tell you the plain truth: This book was so depressing that it took me two years to read. And I actually like depressing books. So suck on that for a while.

Even so, I actually kind of love it. I appreciate its greatness. I appreciate its anger and honesty. I appreciate that a book like this, if published today, would probably be read by about half a thousand critics and six readers, each of whom would write a useless strongly-worded letter to some farming authority. Meanwhile Steinbeck, the lucky dog, gets to punish high school students throughout eternity with the bleakest tale of western migration ever told.

But here are the juicy details.

Setting: Oklahoma to California in the 1930s.

Story: Victims of changing practices in the farming industry, the members of the voluminous Joad family have been cast off their Oklahoma land. So they head out to California, where they’ve been told they’ll find work a-plenty, pickin’ peaches and baskin’ in the sun. Then all the bad things in the world happen.

Writing: The majority of the story is told from the perspectives of various family members and is thus written in “Okie” dialect. This, as authentic as it surely is, can get really annoying. However, Steinbeck incorporates these interludes in his own language that are magically beautiful.

Themes: This is really an ultimate man vs. The Man kind of story—a family simply trying to scrape by with a little dignity, beaten down at every turn by a system that is both nonsensical and inhumane.

But what’s the deal, you wonder, with the “grapes of wrath”? It really sounds like some freaky Stephen King plot where the grapes fling themselves off the vines and burrow into people’s eyeballs. I drove all through California last weekend and could not stop staring at all those creepy little buggers on the hillsides.

But that, it turns out, is not the meaning at all. The book’s thematic climax spells it out:

“There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate—died of malnutrition—because the foot must rot, must be forced to rot.

“The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”

So relax. You don’t need to be afraid of the grapes. Unless you are of course The Man, and then the people are coming for you.

Best thing about it: This is an important book. It just is. You can tell when you read it, even when you hate it.

Worst thing about it: Well, you know. It’s really freaking depressing.

Final thoughts: You should probably read it. I’m just sayin’.

The Island

LisaSeptember 9, 2010January 22, 2014

The Island by Elin Hilderbrand

Okay, I love my Kindle, but there is just one little problem with it that only major snobs like yours truly will appreciate: it doesn’t really let you see the covers, so you can’t exactly figure out what genre you are considering.

Thus me purchasing The Island.

Yes, I did read the sample, and that should have delivered a healthy dose of caveat emptor. But it didn’t (my brain was addled by vacation; I was trying to find something light; the sample mentioned weddings; I just went for it). And then I was stuck with incredibly lengthy chick lit that I was too, er, tenacious to stop reading.

Let me be clear, though: this isn’t a bad book. It’s just kind of a pointless one, and very long for a book that has neither a thrills-a-minute plot nor thematic depth. I thought chick lit was supposed to be short and sweet, maybe even funny and charming, but The Island is fairly serious. To me it’s lying in limbo, somewhere between a beach read and a literary novel.

Setting: Modern-day Tuckernuck, an ultra-rustic island off of Nantucket.

Story: Mom, two daughters, and aunt spend a month together at their family’s vacation home on a remote island. Each is dealing with a relationship issue: a divorce; a broken engagement; a dead husband and potential lesbian lover; and a lifelong crush that hasn’t materialized. Each woman must work through her issues, past and present, with her love interest(s) and her female relations.

Themes: Sibling rivalry; the nature of love; guilt and forgiveness.

Writing: It’s fine. Nothing that will knock your socks off, but nothing bad either. It’s just really long. (Have I mentioned that?)

Best thing about it: Lesbians?

Worst thing about it: It’s just doesn’t have enough depth for a novel that is all about feelings and relationships. And it has a ridiculously unbelievable stepmom sub-plot that had me rolling my eyes.

Final thoughts: The Island would probably make a satisfying beach read for many women, but I just wasn’t one of them.

This Is Where I Leave You

LisaSeptember 2, 2010January 22, 2014

This Is Where I Leave You by Jonathan Tropper

Story: Judd is a sad sack. He’s been dumped, humiliated, and stripped of employment. Needless to say, he’s at an all-time low—and his father has the gall to make it even worse by dying…and then requesting that his wife and four children all sit shiva. So back to his parents’ house Judd goes, hanging out with his dysfunctional family for a week as he mourns the loss of his father, his wife, and the life he thought he had in the bag.

Writing: This is where Tropper really shines. Despite the depressing subject matter, the book is a quick and witty read, with great comic phrasing and characterization. This is ugly real life in all its hilarious glory, and I’m all over that shizzle.

Yeah, I said shizzle.

Themes: No one gets the life s/he expected. Terrible things happen, people get old and lumpy, and you make the best of what you’ve got. The book really explores the meaning of family relationships—what it is to be a child, a sibling, a spouse, a parent—and all the fine twisted love and torture that lie therein.

Yeah, I said therein.

Best thing about it: Writing!

Worst thing about it: I can’t really say without revealing too much about the plot, but there’s something that happens near the end that I find all too convenient.

Final thoughts: One of the most enjoyable books I’ve read in a while.

Little Bee

LisaAugust 26, 2010January 22, 2014

Little Bee by Chris Cleave

Setting: Modern-day London and Nigeria.

Story: Okay, I’m going to go along with the book’s marketing team on this one—I can’t really tell you. But the fulcrum of the story involves a British couple, two Nigerian teenagers, and a horrific event on a Nigerian beach that—you know—changes their lives forever.

Writing: The narrative switches between the first-person perspectives of Sarah (the British woman) and Little Bee (one of the Nigerian teenagers). Little Bee’s language is especially entertaining and rhythmic, though at first I thought it was a little patronizing.

Themes: Some pretty heavy stuff underpins this novel: immigration and the treatment of refugees; globalization and its human cost; the meaning and impact of self-sacrifice; what makes a life worth living (or not). It’s meaty, man.

Best thing about it: Interesting plot and Little Bee’s perspective.

Worst thing about it: I found Sarah a bit tedious and her son a lot tedious.

Final thoughts: A good choice for book clubs. You can all ask each other what you would do during the big secret event that I can’t tell you about.

Heart of Darkness

LisaAugust 11, 2010January 22, 2014

Heart of Darkness by Joseph Conrad

Okay, so you know how sometimes you just never read a classic book for years and years—because even as an English major you can’t possibly read all of them in college—and then you finally get around to it and you realize that it is some missing piece of your soul that has finally come home to rest?

Well, this wasn’t one of those times. It’s true that I managed not to read Heart of Darkness till now, but I kinda wish it had stayed that way. It’s one of those books that skates by on its historical significance and once-revolutionary themes, so no one bothers to mention the totally crappy storytelling.

John and I read this for our own personal book club, and basically spent the entire discussion complaining about it and tallying up all the things we wished Conrad would have done instead.

But let’s break it down.

Setting: Late 19th century, England and the Congo

Story: Naive English dude becomes a ferry-boat captain headed to the Congo. He is charged with 1) transporting ivory, and 2) picking up a guy named Kurtz, who is some fiendishly successful ivory trader who needs to be returned to civilization. Kurtz is a genius, they say, but seems to be dabbling in some shady practices.

Themes: As good little 19th century Brits, we all know that the “heart of darkness” refers to the jungle itself, the black-skinned heathens who live there. Or does it? Could it be that raping the African land in the name of Christianizing the savages is not such a pure motive after all, that true darkness perhaps germinates in the human soul?

Writing: I have no complaints with Conrad’s style. It’s the freaking plot and structure.

First, the whole thing is a frame story, which as far as I can tell has no function except to jolt the reader out of the story periodically for no good reason. But the main problem is that the book fails to deliver the goods. Conrad piques our interest for pages and pages about this Kurtz fellow. All the characters go on at length about his persuasive methods, his amazing speeches, his heroic proportions. And Conrad never shows us, never tells us, never gives us any satisfying details about who Kurtz actually is or what Kurtz actually does. I walked away from this book with literary blue balls, and I’m still angry about it.

Best thing about it: It’s short.

Worst thing about it: See “writing” above.

Final thoughts: Watch Apocalypse Now instead. It’s actually supposed to be an adaptation of Heart of Darkness, though from what I understand (I’ve only seen the big famous scene with the Wagner) it actually has a good plot.

A Single Man

LisaJuly 30, 2010January 22, 2014

A Single Man by Christopher Isherwood
Narrated by Simon Prebble

Setting: Los Angeles in the 1960s

Story: Gay English professor George has just lost his longtime partner. We follow him through the aftermath of the event and his silent, secret grief.

Themes: The feeling of isolation even when surrounded by others. As a gay man, a Brit, a professor, a man of a certain age, George moves through a heavily populated world in which he constantly stands apart.

Writing: Literary. This is a character study of the truest sort, an intimate step-into-my-brain kind of adventure.

Best thing about it: Hollywood has glutted our hearts and minds with jolly, fabulous gay men. It’s refreshing to see an old gay grump.

Worst thing about it: I can’t exactly put my finger on the reason, but this book just never totally seized me as I wished it would.

Audiobook insights: Narrator Simon Prebble captures George’s bitter outlook with the perfect sardonic tone.

Final thoughts: If you like character studies, A Single Man is totally solid. Those looking for a zippier plot should look elsewhere.

The Shadow of the Wind (Spain)

LisaJune 15, 2010January 22, 2014

The Shadow of the Wind by Carlos Ruiz Zafón
Narrated by Jonathan Davis

Setting: 1950s Barcelona

Story: When protagonist Daniel is just a child, his father takes him to the Cemetery of Forgotten Books—a vast and secret library where books in danger of extinction live for all time. (Book nerds, start salivating!) Daniel’s mission there is to choose one special book whose existence he will protect for life.

Daniel sets out to investigate his chosen tome and stumbles upon a mystery—what happened to the book’s disturbed, talented, and wildly unsuccessful author? And why is someone seeking out and burning all his books? Along with Fermín, a hilarious friend and self-described ladies’ man, Daniel sets out to uncover the author’s secrets and stop his work from being destroyed.

Writing: Quite readable with some literary flair. (It’s a translation, however, so I can’t comment on the original.)

Best thing about it: Fermín is just a great character who lends some wonderful levity to the book. His relationship with Daniel is touching and three-dimensional—not the usual fare. I also love that the mysterious author is amazingly gifted, yet can’t sell a novel to save his life!

Worst thing about it: Shockingly, I can’t think of anything to complain about.

Audiobook insights: Highly recommended. Davis is a genius at distinguishing the characters from one another, especially in bringing Fermín to life.

Final thoughts: This literary mystery and coming-of-age story is a great read.

Shantaram (India)

LisaJune 3, 2010January 22, 2014

Shantaram by Gregory David Roberts
Narrated by Humphrey Bower

Well, it turns out that India is not merely a land of funtime singalongs. If you’re dying to delve into the underbelly of Bombay in the 80s, slums and black markets and more, Shantaram is the book for you. It’s a world I knew nothing about, described by a tour guide who’s really been there: Gregory David Roberts, the Australian robber and prison escapee who based much of this novel on his own life.

Story: A man on the run has to start from scratch. And so we meet our protagonist, Lin, during his first hours on Indian soil. He must make friends, learn the languages, and forge a new life for himself in a teeming, complex city he soon comes to love. Rural villages, Bombay slums, brothels, lice-infested prisons, Bollywood movie sets, and Afghan mountainsides all serve as backdrops for Lin’s many adventures, both criminal and philanthropic. And a love story captivates throughout.

Writing: Mostly straightforward, but at times quite literary.

Best thing about it: Fascinating details about the culture and way of life, especially on the criminal side. News to me!

Worst thing about it: There is an enormous cast of characters and it can be hard to keep track.

Audiobook insights: On the positive side, the narrator is great, especially when shifting between Kiwi, Indian, and French accents. On the negative side, unless you are familiar with Indian and Arabic names, it can be tough to keep track of all the characters; I think it would be easier to see the names in print. Also, the audiobook is (gasp) abridged, which I did not know when I bought it, and may have contributed to my name confusion.

Final thoughts: A solid read, but a big investment (the printed book, I understand, has some 900 pages). Unless you’re into epics, don’t even try.

Dreams of Trespass (Morocco)

LisaMay 28, 2010January 22, 2014

Dreams of Trespass: Tales of a Harem Girlhood by Fatima Mernissi

If you’re like me, the word “harem” is inherently fascinating. But if you’re like me, you’re thinking about some kind of sex palace with hundreds of hot chicks dressed like Princess Jasmine. In Dreams of Trespass, Mernissi is quick to distinguish between “imperial harems” (the sex palace with the Jasmines) and “domestic harems,” which are basically Islamic homes in which women are more or less permanently cloistered. Domestic harems haven’t captured the Western mind in quite the same way as their imperial counterparts, but as Mernissi reveals, they are plenty fascinating in their own right. I read Dreams of Trespass in college and it’s always stayed with me—so much that I wanted to re-read it for my first A Book From Every Country selection.

In this memoir, feminist writer and sociologist Fatima Mernissi describes what it is like to grow up in a home where, simply put, women cannot go outside. But this particular frontier is only the most obvious of the many that Mernissi must confront as she struggles to understand the social and religious forces that govern her young life. Don’t be thrown by the word “feminist”—while Mernissi’s critique is a given, this is no whiny sob story. Dreams of Trespass is a masterfully written exploration of both the merits and injustices of a complex world.

Story: Fascinating. Paints a vivid picture of a way of life that is almost unimaginable to a Western reader.

Writing: Just lovely.

Best thing about it: Knowing Mernissi eventually got out.

Worst thing about it: Knowing some of the others probably didn’t.

A Book From Every Country Project

LisaMay 27, 2010January 22, 2014

Well, I don’t think I really have to explain this one. Dun dun dun…I’m going to read a book from every country. Preferably from and about the country.

It’s going to be rad. If you have a suggestion for a great book, let me know.

I’m already thinking about Kazakhzan. Is there a book version of Borat?

Tropic of Cancer

LisaMay 3, 2010January 22, 2014

Tropic of Cancer by Henry Miller

In the first sentences, Miller writes:

“This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, man, destiny, time, love, beauty, what you will.”

Story: Henry Miller and his ridiculous friends caper about Paris like frat boys with brains, dodging responsibility and screwing everything in sight (not necessarily in that order). That said, plot is minimal. Miller wasn’t lying: This is more an assortment of semi-autobiographical diary entries than a novel in any typical sense.

Writing: The writing is rather marvelous. If there were a stronger thread of plot, this book would probably be amazing.

Obscenity index: Tropic of Cancer was banned in the US in the 1960s, but its obscenity probably won’t set you swooning. It’s certainly dirty, somewhat creepy, full of foul language (in particular, see below), but not really offensive by today’s standards.

Best thing about it: Gives you implicit permission to call your friends “cunts.”

Worst thing about it: I’d have to go with no plot, but Miller’s weird brands of misogyny and anti-Semitism also get tiresome.

Audiobook insights: Recommended. The narrator, Campbell Scott, has this seedy sotto voce that really captures the intimacy and broodiness of the narrative. Some of the scenes—the bit with Carl comes to mind—are actually quite hilarious when read out loud. And, since you won’t have to keep track of any plot, the audiobook makes it easy to listen to five minutes at a time with no worries about getting interrupted and losing the point.

Final thoughts: I am so done with expatriate literature. Did anyone actually do anything in Paris in the 30s? Seriously. I am over it.

Re-read The Corrections

LisaApril 28, 2010January 22, 2014

In Why We Read What We Read, we talked briefly about Jonathan Franzen’s The Corrections, using it to illustrate Oprah’s peculiar ways of reading literature. But we never really got to say what a wonderful book it is.

This was unfair. Franzen’s National Book Award winner is one of the best books we read on our bestselling journey, certainly my personal Fiction Top Five. It chronicles the lives of the five members of the Lambert family: stubborn, recalcitrant father Alfred, on a steady Parkinson’s-induced decline; nagging mother Enid, perpetually midwestern and disappointed with her children’s unconventional choices; prosperous son Gary, obsessed with proving how great his life is even as he loses the war against depression and his wife and children’s alliance against him; writer/academic son Chip, whose imprudent dalliances with an undergraduate cost him his career and his dignity; and daughter Denise, a star chef successful in all but the personal arena where she manages to get involved with both her boss and his wife.

Never has a book about so many wretched people been so hilarious. It’s not slapstick, just the perfect turns of phrase, the perfect big hunks of chapters that expose the neuroses and obsessions of these people in all their all-too-realistic glory.

Hardcover Nonfiction for 2007

LisaJune 17, 2008May 29, 2014

Just to follow up on John’s comments about the top political sellers for 2007, here are the actual top 15 nonfiction bestsellers:

1. The Secret by Rhonda Byrne. Atria/Beyond Words (11/06) 4,590,000
2. The Dangerous Book for Boys by Conn & Hal Iggulden. Collins (5/07) 1,900,000
3. Deceptively Delicious by Jessica Seinfeld. Collins (10/07) 1,800,000
4. You: Staying Young—The Owner’s Manual for Extending Your Warranty by Michael F. Roizen, M.D., and Mehmet C. Oz, M.D. Free Press (10/07) 1,451,945
5. I Am America (and So Can You!) by Stephen Colbert. Grand Central (10/07) 1,422,876
6. Become a Better You: 7 Keys to Improving Your Life Every Day by Joel Osteen. Free Press (10/07) 1,181,173
7. The Daring Book for Girls by Andrea J. Buchanan & Miriam Peskowitz. Collins (10/07) 1,000,000
8. You: On a Diet—The Owner’s Manual for Waist Management by Michael F. Roizen, M.D., and Mehmet C. Oz, M.D. Free Press (10/06) 998,324
9. Guinness World Records 2008. Guinness World Records (8/07) 980,000
10. The Weight Loss Cure “They” Don’t Want You to Know About by Kevin Trudeau. Alliance Publishing (4/07) 825,913
11. Quiet Strength: The Principles, Practices & Priorities of a Winning Life by Tony Dungy with Nathan Whitaker. Tyndale House (07/07) 820,124
12. Women & Money: Owning the Power to Control Your Destiny by Suze Orman. Spiegel & Grau (2/07) 753,618
13. A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah. Farrar, Straus & Giroux/Sarah Crichton (2/07) 611,435
14. Clapton by Eric Clapton. Broadway Books (9/07) 600,756
15. Christmas with Paula Deen: Recipes and Stories from My Favorite Holiday by Paula Deen. Simon & Schuster (10/07) 580,000

Hmm. It must have been a good year, because only a handful of these titles make me sick. It really is incredible that only one political book—and a silly one at that—made the top 15. It sheds a few drops of moisture on the parched, cynical soil of my soul.

That’s not to say that these are particularly brilliant offerings, either. Still, one can’t get too worked up about (reasonable) diet, health, and recipe books. I find it interesting that The Dangerous Book for Boys outsold The Daring Book for Girls by almost double—quite a reverse in the typical trend. But I wouldn’t be surprised if girls are just reading up on the boy stuff.

Those goddamn girls.

You know what we think about The Secret and Kevin “The Felon” Trudeau. Who are the people buying these books? It’s like Mariah Carey—you can’t find a single person who likes her or owns any of her albums, but somehow she’s this amazing superstar. I’d like to put forth another crackpot theory: any person who likes Mariah also owns The Secret. Go on, prove me wrong.

Three brief reviews of Chick Lit

LisaMay 26, 2008January 22, 2014

…in order from worst to best.

The two words that come to mind when I think of Family Trust by Amanda Brown are “frivolous” and “dumb.” Brown is the author of the Legally Blonde novel, but having read Family Trust I wonder if the movie’s charm came from elsewhere. At any rate Family Trust seems to have been written solely in the hopes that it, too, would be converted into a Reese Witherspoon film. If we are lucky, it won’t be. The premise of the book is that unmarried parents die in a plane crash, each appointing a separate guardian for the four-year-old left behind. The two different-as-can-be guardians have to learn to get along as they raise their new daughter and then—wocka wocka wocka—fall in love.

The Ivy Chronicles by Karen Quinn lands in the middle of the scale. It’s not a whole lot less frivolous than Family Trust, but there’s a goofy quality about the book—the main character goes on a date with George Clooney; another character gets eaten by an alligator—that reminds me of Janet Evanovich. The plot here centers on New York businesswoman Ivy Ames, who loses her bigshot job and bigshot husband and so launches a company that helps parents get their kids into the best private kindergartens. (Aside: this topic—the snootiness and impossibility of Manhattan kindergartens—seems to deliver endless fascination to chick lit authors and audiences. It appears in both Family Trust and The Nanny Diaries. I kinda don’t get it.) Along the way Ivy does anything to make her clients successful: working with a mobster, painting a little girl black, even selling out her own (Jewish) people for cash. But in the end she regains her dignity and fixes some of her more pronounced value flaws. I recommend this book over Family Trust mainly because it’s sillier and there’s a lot more swearing.

The one I liked the best was Sabine Durrant’s Having It and Eating It, a novel about the shadowy sides of parenting and marriage. By far the most realistic of the three books, Durrant’s novel follows Maggie Owen, a stay-at-home mom of a baby and a toddler who has grown increasingly estranged from her busy advertising exec hubby. Filled with dark humor and adorable British lingo, Having It and Eating It explores the inherent tensions of child-rearing and long-term relationships, the lure of adultery, the peculiar joys and jealousies of women for whom motherhood is a full-time job.

With that, I’m over my chick lit experiment. I never could find any lad lit aside from Nick Hornby (who I think is good but ever-so-slightly overrated); apparently this was a genre more or less invented by publishing houses hoping to bring chick lit to the boys. But they failed—pretty big time—because, of course, most men don’t read fiction that isn’t headlined by the likes of Jack Ryan and Dirk Pitt. Geez, we could have told them that!

Waiting for the Nastiness

LisaMay 19, 2008May 29, 2014

This post by John Heath, whatever it might say above

Taking a look at the bestselling lists from 2007 and 2008, I have not been surprised that they generally look a lot like those from previous years. But perhaps my pessimism is premature. So far in 2008 there has been one major, wonderful change in America’s bestselling reading: the comparative absence of bestselling political spew. We are already over a third of the way through the election year and there have been only four bestsellers specifically about American politics (remember, in that last presidential election year there were 40—did I mention that I read them all?). And these four take a distinctly different tone than those from the previous decade. Steven Colbert’s I Am America (And So Can You) undermines conservatism through humor, not wrath; Glenn Beck’s conservative An Inconvenient Book can be wittily self-effacing. Even Newt Gingrich has climbed onto the bestselling lists by claiming we need Real Change and that America is not divided into red and blue (although, well, it’s still the Left that causes most of the problems). And the ultimate change-fan, Barack Obama, offers his now-famous optimistic take on the future in The Audacity of Hope.

These are the four bestsellers? These silly, hopeful, not-very-angry books? Get outta town.

We keep hearing that Americans are ready for change. Are the bestseller lists evidence that we are making it happen? Are these books a good indication of a change in the zeitgeist? (It’s a well-established law that every essay on culture must use the word zeitgeist—I held off until the last paragraph to keep you in suspense.) Does the success of a woman, an African-American, and a maverick in the primaries suggest we are fed up with acrimonious dichotomies offered us in 2004 in both our reading and our political choices?

We’ll see. Readers still have over half a year to start buying up the latest screed from the radio talk show hosts and New York Times pundits. Can we resist? My guess is that within a few months reasoned debate will be harder to find than Ann Coulter’s maternal instinct or Michael Moore’s copy of The South Beach Diet. But I’m hoping—really, really hoping—that I’m wrong.

Hardcover Fiction Bestsellers 2007: James Patterson gets even more annoying

LisaMay 12, 2008May 29, 2014

Okay, I’m serious now, people. Stop reading James Patterson! He’s just not that good.

The numbers, alas, say otherwise: in addition to the four paperback bestsellers already mentioned in my earlier post, the guy has five hardcover bestsellers as well! Here’s the full list:

1. A Thousand Splendid Suns by Khaled Hosseini. Riverhead (5/07) 2,201,865
2. Playing for Pizza by John Grisham. Doubleday (9/07) 1,445,000
3. Double Cross by James Patterson. Little, Brown (11/07) 1,428,974
4. The Choice by Nicholas Sparks. Grand Central (9/07) 1,200,809
5. Lean Mean Thirteen by Janet Evanovich. St. Martin’s (6/07) 1,116,828
6. Plum Lovin’ by Janet Evanovich. St. Martin’s (1/07) 1,080,686
7. Book of the Dead by Patricia Cornwell. Putnam (10/07) 1,027,000
8. The Quickie by James Patterson and Michael Ledwidge. Little, Brown (7/07) 795,736
9. The 6th Target by James Patterson and Maxine Paetro. Little, Brown (5/07) 769,460
10. The Darkest Evening of the Year by Dean Koontz. Bantam (11/07) 740,000
11. Step on a Crack by James Patterson and Michael Ledwidge. Little, Brown (2/07) 732,702
12. You’ve Been Warned by James Patterson and Howard Roughan. Little, Brown (9/07) 724,713
13. T Is for Trespass by Sue Grafton. Putnam (12/07) 716,582
14. Stone Cold by David Baldacci. Grand Central (11/07) 670,590
15. Nineteen Minutes by Jodi Picoult. Atria Books (3/07) 609,000

The saddest thing about this unsurprising list is that not a single new novelist made it this year. Though I’m not a passionate fan of Mr. Hosseini, I guess I can be glad that the number one title was a literary offering.

Mostly, though, I keep thinking about Sue Grafton. I honestly remember seeing these same Kinsey Millhone books in the store when I was a child. How can Grafton not be wanting to gnaw off her own fingers at this point? And does some brilliant psychotic meltdown await her when the alphabet runs out? I worry about her. I really do.

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